- 13/02/2013
- Posted by: essay
- Category: Free essays
The aim of the paper is to make a competitive analysis of Bob Dylan’s and Harry Bache Smith’s approaches toward American folk musical traditions. This work is dedicated to the specific topic called “Bob Dylan’s and Harry Bache Smith’s approaches toward American folk musical traditions”. It consists from summarizing and analyzing the information and thoughts, given in different works about this theme. The essay sheds light on the main argument of the definition and determining of term “American folk musical traditions”, ”competitive” or “Bob Dylan’s and Harry Bache Smith’s approaches”. Detailed overview can allow getting the main ideas, advantages and disadvantages of a big amount of thoughts and arguments. Thus, I am going to show and illustrate all sides of this topic through this paper. Using different literary sources, scientific researches and own points of views the author tried to light our problem as fully and detail as possible. In conclusion, the inference let us summarize and sum up all the information we are going to discuss. In this essay the problem of musical traditions will be briefly reviewed, but from the other side it will be stated on the level needed for understanding main topic points. You will never say that these two authors and their works are only mundane waste of time.
Comparison of Bob Dylan’s and Harry Bache Smith’s approaches toward American folk musical traditions
As I have already mentioned, this essay is dedicated to a competitive analysis of Bob Dylan’s and Harry Bache Smith’s approaches toward American folk musical traditions. In order to make right conclusion and get full information about these theme, the paper should be divided on some parts. For example, introduction that includes main thesis and questions, conclusion that will let summarize and conclude the information are basic parts of work. Of course, the main part contains all discussion. Let me start to explain. First of all, only being on the live concert you can meet the nature and the sense of music itself. Tape cannot replace the effect and influence of real music undeniably. Live concerts always have a big influence on listener’s minds, because listening “alive” music is much better, than tape in home. The classic and folk music is seemed to be not much popular and needed among the youth. Grown-up people are much more likely being listening such masterpieces, which are complete and hard to be understood. However, when your heart is open to this music and you begin to listen it, something great and beautiful appears in the air and echoes around your head: the mysterious world of the composer. I believe the classical music can open hearts and minds of youth to say something important. Maybe, it will be the truth about love, friendship, nature and even life in all its images.
It is known that Bob Dylan (Robert Allen Zimmerman) and Harry Bache Smith follow folk rock musical genre, which contains some elements from rock and folk music. This style and genre of music was widespread in mid – 1960s in the United States of America and United Kingdom. First band that began playing this genre in the Ls Angeles was band called The Byrds and Bob Dylan, who was likely to penne music material with entation of rock instrum. It is mentioned that the release of The Byrds’ cover version of Dylan’s “Mr. Tambourine Man” and its subsequent commercial success initiated the folk rock explosion of the mid-1960s. Dylan himself was also influential on the genre, particularly his recordings with an electric rock band. Dylan’s July 25, 1965 appearance at the Newport Folk Festival with an electric backing band is also considered a pivotal moment in the development of folk rock (Richie Unterberger, 2000-2010, pg 1, <http://www.richieunterberger.com/turnover.html>). Bob Dylan’s songs had a great influence on social, political and philosophical spheres of life; they were important during anti – war and civil rights movements (for example, “Blowin’ in the Wind” and “The Times They Are a-Changing”).
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