Buy research paper on ISU: Slaughterhouse Five

I was really impressed by one idea that was taken from the book. I understood that the man – is the only animal that can get through the work of a purely animal state: its normal state is that which corresponds to its consciousness and must be created by him. World around us is full of cruelty and the degree of cruelty of this flow depends on the socio-economic living conditions determined by the nature of social formation. In the modern scientific and technological revolution, this “cruelty” has reached enough high level and result, inter alia, to a certain disruption of natural foundations for an effective life of the individual, emotional crisis, the major manifestations of which are stress, emotional disharmony, alienation and feelings of immaturity, leading to deterioration of health and disease.
According to Loeb “…in spite of its important role played in modern life issues of its social organization, its institutions, laws and treaties, with all the power of technology is not created by man they ultimately determine the fate of mankind.” (Loeb. 1979) And there is no and will not save a person, until the people themselves do not change their habits, manners and behavior. I think that people do not have time to adapt their own culture in accordance with those changes, which themselves contribute to this world, and the sources of this crisis lie inside, not outside of human beings, considered as an individual and as a team. And all of these problems must come primarily from the change of the person, his inner being.
We could conclude from previous statement that the main obstacle between man and the future, to which he seeks, is the man itself. The crisis of human, in my opinion, is not rooted in human nature itself, it is not some inherent property or its ineradicable flaw, no, this is more a crisis of civilization or culture, which is a cause of deep gap between thinking and human behavior, on the one hand, and changing the real world – on the other. And this crisis – with all its depth and danger – you can still overcome. Nevertheless, in order to overcome this crisis, we must at first understand the causes, depending on the person and his consciousness. buy research paper
One of the main ideas of Slaughterhouse-Five is that all people are “insect in amber” – despite the fact that they froze it in a physical sense, they still retain the ability to imagine. In fact, the whole novel could be reduced to this single idea, the only glimmer of optimism in the bleak picture of the world. In the novel, frequently repeating the word “insect in amber”, as well as an abundance of present description of closed spaces – from the caves to the wagon train, the zoo and even a mother’s womb, where the “red lights and splashing”. These confined spaces emphasize once again that Billy is physically “frozen in amber”. The film does not refer to the “insect in amber”, but staff achieves a related effect, which is almost always visible to the ceiling, which also creates a sense of closure. As in the novel, these “caves” may be perceived as something unpleasant and terrible, for someone they can be a symbol of death, and for someone they can be symbols of survival and security.
Analysing the novel from different sides I understood that people are greatly affected by surrounding reality ad even naturally good people under the influence of the military’s code of amorality strips away natural compassion. Thus, I want to say that the thesis of this paper was proved and also there were presented many interesting facts that allow us once more think about our life and compare or contrast events presented in the book or film with our reality. I strongly believe that such literature, like the Slaughterhouse Five by Kurt Vonnegut are necessary for our contemporary society and, moreover, such books should be read by youth, who are forming their attitude to the world. In my opinion, thinking and reading about cruelty we study the way to avoid it in our life and how to stay naturally good despite all hardships and difficulties on our long haul.

 
Works cited:
Bianculli, David. “A Kurt Post-mortem on the Generally Eclectic Theatre.” Film Comment Nov.-Dec. 1985: 41-44.
Loeb, Monica. Vonnegut’s Duty-Dance With Death. UMEA, 1979.
Merrill, Robert. Critical Essays on Kurt Vonnegut. Boston: G. K. Hall & Co., 1990.