Custom essays on Frustration from doomed love

In the painting: “Isabella and the pot of Basil” the emphasis is maid on sensitivity, brightness, colors, and decorative elements – all this is intended to emphasize the emotional scenes, to convey the depth of grief of a girl who suffers from doomed love…
Another art genre example of doomed love is “Phantom of the Opera”. This is a love story, a story of doomed love, showed and expressed with exciting events, music, songs and dances, and most importantly – true life extravaganza. Musical immediately captures the audience with a sharp stage rhythm and this rhythm forces to feel a whole cascade of emotions: the tension of dramatic conflict, tragic and comic situations, the lyrical melancholy of heroine. Viewers get an emotional jolt. The main theme is accompanied by brilliant scenes, colorful sets and costumes.
In combination with the fast pace of action and temperamental dances, bright colors give the effect of saturation. “Ideally, everything: words, voice, movement, hands, feet, clothes, hats, pants, portals, roofs, ceilings and chandeliers – all in the musical to the smallest detail should merge, reaching to an unexpected unity of the brilliant climax of perfection which captures the audience with his dizzying magnificence” – wrote an English artist Cecil Beaton. (Flinn 1997)
The last example of frustration of doomed love is heroes of the great film ‘The bridges of Madison County.’ The heroes of the film, Robert and Frances met by chance and rapidly fall in love with each other. Their love lasted only 4 days, but this was a love for all the life. And at the end of the fourth days Robert offered Frances to go with him, but she refused, so as not to create difficulties for her husband and children. This is the doomed love.
In one of the last scenes of the film, after the arrival of children, Francesca and her husband appeared behind the Robert’s car; Francesca was unable to suppress tears, but pretended that nothing were happening. These doomed love and these four days significantly alter the outlook of heroes on life.

Body 3: expression of the theme of Doomed love
The theme of love in the art works is presented as its main purpose, determining the principal value and idea, it pervades all the work, its specific thematic basis. The theme of the artwork can be formulated in abstract terms but in real product it is not abstract, but has concretely sensitive and figurative.
In the depiction of human relations, particularly between men and women, the art works sometimes present the phenomenon of a theme of “doomed love”. There are such motives as the doomed, unhappy, “illegal” love that is characterized by feelings of longing, separation. The motif of jealousy, being presented in the art work, gives it a new shade, such a kind of painful feeling.
In general the theme of doomed and unhappy love is the most complex and diverse for being depicted and represented in a work of art, because this love is a very complex in a sensory-emotional aspect. “Doomed Love” is in constant conflict with the mind, this is an area of constant internal struggle.
Love is stronger than reason and mind, it captures the whole man, and he has no control over it even when it brings nothing but passion and sufferings. It is also important to note that the theme of love is very complicated, as is mainly based on the emotional aspect. It must be taken into account that the image of love in the content of the artwork expresses certain emotions of the author, which the viewer or listener perceives through the prism of his own feelings and emotions. Thus, the depiction of feeling of love is significant not only for the work creator, but for every person who perceives a work of art.

Body 4: Analysis of the genres’ role in the public perception of the theme(doomed love)
As for the theme of love and doomed love, that is present in different forms of art, it is always shown in different ways, but it is always associated with emotional perception. Because the theme of love is supplemented by numerous associations and perceptions, causes various thoughts according to its content and the life of the audience.
Artwork, being an active form, is creatively experienced by people who perceive it, as if it is included in their individual lives, it becomes particularly important. Therefore, the perception of the content of the same work of art by people of different ages, countries, individuals are not the same, has different shades.
Also that every genre of art itself has many features that are reflected on the theme of work, so that is why the theme of doomed love can be showed in different art genres and forms differently. But despite this, the theme of doomed love in all genres of art (also in that were considered in this work)is presented brightly. Since it is related to the emotional sphere of life of the audience, it is perceived as controversial, but always causes delight and success, and never causes indifference.

Conclusion
In essence, art is an integral part of the culture, it reflects and creates cultural norms, thereby controlling the having impact on society and man in this society. As it was already mentioned, art is a mean of communication between people, including those between people of different countries, generations, separated by miles and years.
It is necessary to remember one more time the content of art is social and has individual significance not only for its creator, but for every person who perceives this art. Perception of the artwork is not passive, but an active process in which the content of the work always varies through the consciousness of the viewer or listener, it is understood in accordance with his social and personal experiences.

 

 

 

Bibliography
Pare, A., 2002, Genre and Identity. The Rhetoric and Ideology of Genre: Strategies for Stability and Change. Hampton Press
Harrison, C., 2002, Art in Theory 1900 – 2000: An Anthology of Changing Ideas. Wiley-Blackwell
Moshe, B., 1990, Modern Theories of Art. NYU Press
Drake, Sylvie, “Phantom composer rules over musical theater”. Anchorage Daily News, (28 May 1989).
Mosley, Andrew. Four decades of change in theatre This Is Lancashire. 28 October 2007.
Flinn, Denny M, 1997, Musical: a grand tour: the rise, glory and fall of an American institution. New York: Schirmer Books
Perry, George, 1991, The Complete Phantom of the Opera. Owl Books
Kenrick, John, 2003, History of Stage Musicals. Available from: http://www.musicals101.com [Accessed 10 Ovtober 2010]
Ganzl, Kurt, 2001, The Encyclopedia of Musical Theatre. New York, Schirmer Books
Moshe, Barasch, 2000, Theories of art – from impressionism to Kandinsky. Routledge
Hill, John, & Gibson, Pamela Church, 1998, The Oxford Guide to Film Studies. Oxford; Oxford University Press
Nowell-Smith, Geoffrey, 1999, The Oxford History of World Cinema. Oxford: Oxford University Press.



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