Custom essays on “Notes of a Pianist” by Louis Moreau Gottschalk

“Notes of a Pianist” by Louis Moreau Gottschalk reveals a number of noteworthy issues affecting the life of concert artists in the mid-19th century America. The author of the article is an outstanding artist, whose description of the life and work of a concert artist is realistic and, therefore, particularly valuable for those, who are interested in the life of artists in the mid-19th century America. In this regard, it is quite noteworthy to point out that artists kept working in the US, even in the time, when the country was about to break out the Civil war and start considerable changes in the political, social and economic life of the country. Concert artists attempted to smooth the relationships between opposing camps and like Gottschalk, they attempted to ease the tension and turn people to the art, as the alternative to existing social, economic and political problems. The author stresses that concert artists often had to support either political group or party but, on the other hand, true artists often attempted to appease opponents and appeal to art as the power capable to unite people with diverse political, economic and social views.
In addition, the concert artist in the mid-19th century America had to travel a lot to gain the public acclaim and to bring art to the most remote parts of America. Remarkably, the author refers to his own experience as he traveled throughout both North and South America. In such a way, the author shows that concert artists in the mid-19th century America could eliminate physical boundaries and cultural frontiers to bring art to mass audience.
Works Cited
Gottschalk, L.M. Notes of a Pianist. Princeton University Press, 2006.