Custom essays on The Works of Richard Wright and Their Impact on the Civil Rights Movement

Wright was criticized by the targeting of its work in violence. For example, in the case of Native Son, people complained that portrayed a black man could be seen as confirming the worst fears of whites. Also, the period following publication of Native Son was a very busy time for Wright. Then, in July 1940 he traveled to Chicago to do research on the history of black people to accompany the photographs selected by Edwin Rosskam, as stated in Richard Wright.
“He then traveled to Chapel Hill, North Carolina, where he and Paul Green are collaborating on a dramatic version of Native Son. In January 1941, Wright received the Spingarn Medal by the prestigious noteworthy achievement for a black. Native Son opened on Broadway in March 1941, with Orson Welles as director and with rave reviews”, as described in Richard Wright. A volume of photographs taken almost entirely from the archives of the Farm Security Administration, with the note of Wright, Twelve Million Black Voices: A Folk History of the Black in the United States, was published in October 1941 made criticism wider.
The semi-autobiographical novel by Chico black Wright (Black Boy), 1945, Roxie describes his life until he moved to Chicago, his clashes with his family of Adventists, their challenges with the white employers and social isolation. It can be said that the “American Hunger” was published posthumously in 1977, originally as the second volume of black Child. The edition of the Library of America was restored to that form.
This book details the involvement of Wright John Reed Clubs and the Communist Party, who left in 1942. In the edition renovated diptych structure reflects the dogmatism and intolerance of organized community, in their contempt for literature “bourgeois” and members “sections” of the party, showing their similarity with organized religions fundamentalists. Richard Wright also disapproved of purges in the Soviet Union. However, he continued to believe in far-left democratic solutions for different political problems.
Later, Richard Wright moved to Paris in 1946 and became an American permanent expatriate. In Paris he befriended Jean-Paul Sartre and Albert Camus. Existentialist phase was represented in his second novel, The Stranger (The Outsider), 1953, which describes the participation of a black character with the Communist Party in New York. It is essential to note that in 1954 he published a novel “Savage Holiday”. Then, after becoming a French citizen in 1947, Richard continued to travel throughout Europe, Asia and Africa. All in all, “these experiences were the basis of numerous works of nonfiction. One was Black Power, 1954, a commentary on emerging nations of Africa”, as described in Richard Wright.
In 1949, Wright contributed to the anthology of writings anticommunist The God That Failed (The God That Failed), his essay was published in the Atlantic Monthly he was derived from the unpublished black boy. This led to the invitation to join the Congress for Cultural Freedom, rightly suspecting that he had connections with the CIA. Both the CIA and the FBI had Wright under surveillance from 1943. During McCarthyism, Wright was placed on the blacklist of the leaders of the Hollywood studios in the 1950s, but in 1950, starred in the teen Bigger Thomas (he played with 42 years of age) in a version of Argentina Native Son film.
It should be noted that in June 1960, Richard Wright recorded a series of discussions to French radio dealing mainly of his books and his literary career. “It also covers the racial situation in the United States and the world, and specifically denounced U.S. policy in Africa”, as described in Richard Wright’s Life. In late September, “to cover the extra expenses of moving his daughter Julia from London to Paris to attend the Sorbonne, Wright wrote album covers advertisements for Nicole Barclay, head of the largest record company in Paris”, according to Richard Wright.
Despite financial difficulties, Wright refused to compromise his principles. His last exhibition was the explosive energy November 8, 1960 in his controversial lecture “The situation of the black artist and intellectual in the United States” aimed at students and members of the American Church in Paris. Richard Wright argued that “American society has fallen more militant members of the black community to slaves when they are trying to challenge the racial status quo”.
It is important to note that a considerable number of Richard Wright’s works have been published posthumously. As was stated in Richard Wright, “Some of Wright’s most striking passages relating to race, sex and politics, were cut or omitted before original publication”. In 1991, he released full versions of Native Son, Chico black and other works. Moreover, in 1994, was published his novel “Rite of Passage” for the first time.
According to Richard Wright, “A collection of travel writings Wright was published by the University of Mississippi in 2001. At his death, Wright left an unfinished book, A Father’s law. It’s about a black policeman and his son who are suspected of murder. His daughter Julia Wright published a father’s law in January 2008. An edition contained compiled Wright political works were published under the title Three books from Exile: Black Power, The Color Curtain, and White Man, Listen!”