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The brief review of popular art in music for a big period in time shows that the culture of people of one or another time and of any group is reflected in a song and for every temporal segment the music is characteristic feature. At the same time, exactly songs are powerful means of affecting feelings, will and consciousness of people. It is necessary to look at music through the prism of censorship and discuss popular music in its frames.
In every period of music development there were special musical directions prohibited by censorship, and there were people who like them and try to show them to people. In many cases, it was music accepted by minorities, but it was good and popular music. I agree that government should take care of own people, but at the same time music is a kind of self-realization and it is not right to prohibit some kinds of good and normal music only because of minorities love it, or when minorities were its creators. Thus, we see that censorship is not justifiable in such conditions, but it could be justifiable under other circumstances when music negatively influences on the forming of aesthetic taste and socially adapted moral behaviour.
For the conclusion it is necessary to say that in contemporary culture is popular concrete music, concrete new musical compositions, but at the same time musical directions and old songs of different kinds could be popular too and not censorship in this area, but people should decide what music to listen to and what music simply forget. 

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Reference
Shuker, R. (1994). Understanding Popular Music. Routledge.



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